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Pigment identification on “Pietà” of Barletta, example of Renaissance Apulian sculpture: A Raman microscopy study

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Title: Pigment identification on “Pietà” of Barletta, example of Renaissance Apulian sculpture: A Raman microscopy study
Authors: Marano, D.1,2,3 marano@fisica.uniba.it, Catalano, I.M.1,2,3, Monno, A.2,4
Source: Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy. Aug2006, Vol. 64 Issue 5, p1147-1150. 4p.
Subjects: Pigments, Spectrum analysis, Léger, Fernand, 1881-1955. Polychrome divers, French painting, Lazurite
Abstract: Abstract: A study of the original painting layer of the “Pietà” of Barletta, a polychrome statue, important example of Renaissance Apulian sculpture, was performed by μ-Raman spectroscopy. Vermilion was identified in the original layer of the blood drops on Jesus knee. Lazurite was identified as the original blue pigment on Our Lady''s veil and lace, currently a yellow ochre-like color. The use of lazurite demonstrates the historical-artistic importance of this polychrome statue, and supports the hypothesis that this artwork was probably commissioned by Our Lady''s devotees to itinerant artists inspired by the more precious Vesperbilder model. [Copyright &y& Elsevier]
Copyright of Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Engineering Source
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DbLabel: Engineering Source
An: 21830753
AccessLevel: 6
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  Data: Pigment identification on “Pietà” of Barletta, example of Renaissance Apulian sculpture: A Raman microscopy study
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  Data: <searchLink fieldCode="AR" term="%22Marano%2C+D%2E%22">Marano, D.</searchLink><relatesTo>1,2,3</relatesTo><i> marano@fisica.uniba.it</i><br /><searchLink fieldCode="AR" term="%22Catalano%2C+I%2EM%2E%22">Catalano, I.M.</searchLink><relatesTo>1,2,3</relatesTo><br /><searchLink fieldCode="AR" term="%22Monno%2C+A%2E%22">Monno, A.</searchLink><relatesTo>2,4</relatesTo>
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  Data: <searchLink fieldCode="JN" term="%22Spectrochimica+Acta+Part+A%3A+Molecular+%26+Biomolecular+Spectroscopy%22">Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy</searchLink>. Aug2006, Vol. 64 Issue 5, p1147-1150. 4p.
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  Data: <searchLink fieldCode="DE" term="%22Pigments%22">Pigments</searchLink><br /><searchLink fieldCode="DE" term="%22Spectrum+analysis%22">Spectrum analysis</searchLink><br /><searchLink fieldCode="DE" term="%22Léger%2C+Fernand%2C+1881-1955%2E+Polychrome+divers%22">Léger, Fernand, 1881-1955. Polychrome divers</searchLink><br /><searchLink fieldCode="DE" term="%22French+painting%22">French painting</searchLink><br /><searchLink fieldCode="DE" term="%22Lazurite%22">Lazurite</searchLink>
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  Label: Abstract
  Group: Ab
  Data: Abstract: A study of the original painting layer of the “Pietà” of Barletta, a polychrome statue, important example of Renaissance Apulian sculpture, was performed by μ-Raman spectroscopy. Vermilion was identified in the original layer of the blood drops on Jesus knee. Lazurite was identified as the original blue pigment on Our Lady''s veil and lace, currently a yellow ochre-like color. The use of lazurite demonstrates the historical-artistic importance of this polychrome statue, and supports the hypothesis that this artwork was probably commissioned by Our Lady''s devotees to itinerant artists inspired by the more precious Vesperbilder model. [Copyright &y& Elsevier]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Spectrochimica Acta Part A: Molecular & Biomolecular Spectroscopy is the property of Elsevier B.V. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1016/j.saa.2005.12.035
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        Text: English
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        Type: general
      – SubjectFull: Spectrum analysis
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      – SubjectFull: Léger, Fernand, 1881-1955. Polychrome divers
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      – SubjectFull: French painting
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      – TitleFull: Pigment identification on “Pietà” of Barletta, example of Renaissance Apulian sculpture: A Raman microscopy study
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              Text: Aug2006
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