El giro epistemológico de la imagen (e-image).
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| Title: | El giro epistemológico de la imagen (e-image). |
|---|---|
| Alternate Title: | The image's epistemological shift. |
| Authors: | LASSO CÁRDENAS, EDILBERTO1,2 edilnous@gmail.com |
| Source: | Revista Silogismo. ene-jun2014, Vol. 1 Issue 13, p14-20. 7p. |
| Subject Terms: | *Computer simulation, *Computer storage devices, Virtual reality, Virtual storage (Computer science), Virtual machine systems |
| Abstract (English): | Where may lie the difference between noting that before, we turned around images and now we turn inside them? Maybe, we have left the viewer passive conception in front of the images, in the sense that the image was part of cultural elite, a commercial enterprise or an ideology that colonized, saturated or invaded the subject, without the possibility to reflect. Brea and Gubern don't conceive the images as stationary or fixed objects. Instead, they think they have an epistemic and symbolic value. They are also a mental construct equipped with own movement and existence. Apparently, these images have something to say by themselves. They also go through their own eras (file memory, film and e-image). Therefore, man is no longer their owner and privileged intermediary. There is a smoother relationship and communication between man and image. It is possible they both be mutually intermixed and penetrated. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | ¿En qué podría radicar la diferencia entre señalar que antes girábamos alrededor de las imágenes y que ahora giramos dentro de ellas? A lo mejor, hemos abandonado la concepción pasiva, del espectador frente a las imágenes, en el sentido que la imagen era parte de una élite cultural, una empresa comercial o una ideología que se obstinó en colonizar, saturar o invadir al sujeto, sin la posibilidad de reflexión. Brea y Gubern no ven a las imágenes como objetos inmóviles o fijos. Al contrario, tienen un valor epistémico y simbólico. Asimismo, son un constructo mental dotadas de movimiento y existencia propia. Al parecer, estas imágenes tienen algo que decir por sí mismas. Ellas también atraviesan por sus propias eras (memoria archivo, el film y la e-image). Por tanto, el hombre, ya no es el amo e intermediario privilegiado de lo que ellas son. Asistimos a una relación y comunicación más fluida entre hombre e imagen. Es posible que ambos se entremezclen y penetren mutuamente. [ABSTRACT FROM AUTHOR] |
| Copyright of Revista Silogismo is the property of Revista Silogismo and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 101660860 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: El giro epistemológico de la imagen (e-image). – Name: TitleAlt Label: Alternate Title Group: TiAlt Data: The image's epistemological shift. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22LASSO+CÁRDENAS%2C+EDILBERTO%22">LASSO CÁRDENAS, EDILBERTO</searchLink><relatesTo>1,2</relatesTo><i> edilnous@gmail.com</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Revista+Silogismo%22">Revista Silogismo</searchLink>. ene-jun2014, Vol. 1 Issue 13, p14-20. 7p. – Name: Subject Label: Subject Terms Group: Su Data: *<searchLink fieldCode="DE" term="%22Computer+simulation%22">Computer simulation</searchLink><br />*<searchLink fieldCode="DE" term="%22Computer+storage+devices%22">Computer storage devices</searchLink><br /><searchLink fieldCode="DE" term="%22Virtual+reality%22">Virtual reality</searchLink><br /><searchLink fieldCode="DE" term="%22Virtual+storage+%28Computer+science%29%22">Virtual storage (Computer science)</searchLink><br /><searchLink fieldCode="DE" term="%22Virtual+machine+systems%22">Virtual machine systems</searchLink> – Name: Abstract Label: Abstract (English) Group: Ab Data: Where may lie the difference between noting that before, we turned around images and now we turn inside them? Maybe, we have left the viewer passive conception in front of the images, in the sense that the image was part of cultural elite, a commercial enterprise or an ideology that colonized, saturated or invaded the subject, without the possibility to reflect. Brea and Gubern don't conceive the images as stationary or fixed objects. Instead, they think they have an epistemic and symbolic value. They are also a mental construct equipped with own movement and existence. Apparently, these images have something to say by themselves. They also go through their own eras (file memory, film and e-image). Therefore, man is no longer their owner and privileged intermediary. There is a smoother relationship and communication between man and image. It is possible they both be mutually intermixed and penetrated. [ABSTRACT FROM AUTHOR] – Name: Abstract Label: Abstract (Spanish) Group: Ab Data: ¿En qué podría radicar la diferencia entre señalar que antes girábamos alrededor de las imágenes y que ahora giramos dentro de ellas? A lo mejor, hemos abandonado la concepción pasiva, del espectador frente a las imágenes, en el sentido que la imagen era parte de una élite cultural, una empresa comercial o una ideología que se obstinó en colonizar, saturar o invadir al sujeto, sin la posibilidad de reflexión. Brea y Gubern no ven a las imágenes como objetos inmóviles o fijos. Al contrario, tienen un valor epistémico y simbólico. Asimismo, son un constructo mental dotadas de movimiento y existencia propia. Al parecer, estas imágenes tienen algo que decir por sí mismas. Ellas también atraviesan por sus propias eras (memoria archivo, el film y la e-image). Por tanto, el hombre, ya no es el amo e intermediario privilegiado de lo que ellas son. Asistimos a una relación y comunicación más fluida entre hombre e imagen. Es posible que ambos se entremezclen y penetren mutuamente. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Revista Silogismo is the property of Revista Silogismo and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
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| RecordInfo | BibRecord: BibEntity: Languages: – Code: spa Text: Spanish PhysicalDescription: Pagination: PageCount: 7 StartPage: 14 Subjects: – SubjectFull: Computer simulation Type: general – SubjectFull: Computer storage devices Type: general – SubjectFull: Virtual reality Type: general – SubjectFull: Virtual storage (Computer science) Type: general – SubjectFull: Virtual machine systems Type: general Titles: – TitleFull: El giro epistemológico de la imagen (e-image). Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: LASSO CÁRDENAS, EDILBERTO IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Text: ene-jun2014 Type: published Y: 2014 Identifiers: – Type: issn-print Value: 1909955X Numbering: – Type: volume Value: 1 – Type: issue Value: 13 Titles: – TitleFull: Revista Silogismo Type: main |
| ResultId | 1 |
