El giro epistemológico de la imagen (e-image).
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| Title: | El giro epistemológico de la imagen (e-image). |
|---|---|
| Alternate Title: | The image's epistemological shift. |
| Authors: | LASSO CÁRDENAS, EDILBERTO1,2 edilnous@gmail.com |
| Source: | Revista Silogismo. ene-jun2014, Vol. 1 Issue 13, p14-20. 7p. |
| Subject Terms: | *Computer simulation, *Computer storage devices, Virtual reality, Virtual storage (Computer science), Virtual machine systems |
| Abstract (English): | Where may lie the difference between noting that before, we turned around images and now we turn inside them? Maybe, we have left the viewer passive conception in front of the images, in the sense that the image was part of cultural elite, a commercial enterprise or an ideology that colonized, saturated or invaded the subject, without the possibility to reflect. Brea and Gubern don't conceive the images as stationary or fixed objects. Instead, they think they have an epistemic and symbolic value. They are also a mental construct equipped with own movement and existence. Apparently, these images have something to say by themselves. They also go through their own eras (file memory, film and e-image). Therefore, man is no longer their owner and privileged intermediary. There is a smoother relationship and communication between man and image. It is possible they both be mutually intermixed and penetrated. [ABSTRACT FROM AUTHOR] |
| Abstract (Spanish): | ¿En qué podría radicar la diferencia entre señalar que antes girábamos alrededor de las imágenes y que ahora giramos dentro de ellas? A lo mejor, hemos abandonado la concepción pasiva, del espectador frente a las imágenes, en el sentido que la imagen era parte de una élite cultural, una empresa comercial o una ideología que se obstinó en colonizar, saturar o invadir al sujeto, sin la posibilidad de reflexión. Brea y Gubern no ven a las imágenes como objetos inmóviles o fijos. Al contrario, tienen un valor epistémico y simbólico. Asimismo, son un constructo mental dotadas de movimiento y existencia propia. Al parecer, estas imágenes tienen algo que decir por sí mismas. Ellas también atraviesan por sus propias eras (memoria archivo, el film y la e-image). Por tanto, el hombre, ya no es el amo e intermediario privilegiado de lo que ellas son. Asistimos a una relación y comunicación más fluida entre hombre e imagen. Es posible que ambos se entremezclen y penetren mutuamente. [ABSTRACT FROM AUTHOR] |
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| Database: | Education Research Complete |
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