Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music.
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| Title: | Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music. |
|---|---|
| Authors: | MILLER, EDEN1 |
| Source: | Notes. Dec2025, Vol. 82 Issue 2, p229-232. 4p. |
| Subject Terms: | *Gender stereotypes, *Genre studies, Nineteenth century, Opera, Music history, Interpretation (Philosophy), Woodwind instruments |
| Abstract: | The article reviews two books that explore different aspects of music history and theory. The first book, focusing on nineteenth-century Italian opera fantasias for woodwind instruments, argues for the genre's significance and reevaluates its historical value through various theoretical lenses, including genre theory and gender implications. The second book examines the life and impact of George M. Cohan on Broadway, highlighting his role in shaping American musical theater and his embodiment of early 20th-century American ideals. Both works are positioned as valuable resources for musicology and performance studies, suitable for academic libraries and musicians. [Extracted from the article] |
| Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Database: | Education Research Complete |
| FullText | Links: – Type: pdflink Text: Availability: 0 |
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| Header | DbId: ehh DbLabel: Education Research Complete An: 189119447 AccessLevel: 6 PubType: Academic Journal PubTypeId: academicJournal PreciseRelevancyScore: 0 |
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| Items | – Name: Title Label: Title Group: Ti Data: Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22MILLER%2C+EDEN%22">MILLER, EDEN</searchLink><relatesTo>1</relatesTo> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22Notes%22">Notes</searchLink>. Dec2025, Vol. 82 Issue 2, p229-232. 4p. – Name: Subject Label: Subject Terms Group: Su Data: *<searchLink fieldCode="DE" term="%22Gender+stereotypes%22">Gender stereotypes</searchLink><br />*<searchLink fieldCode="DE" term="%22Genre+studies%22">Genre studies</searchLink><br /><searchLink fieldCode="DE" term="%22Nineteenth+century%22">Nineteenth century</searchLink><br /><searchLink fieldCode="DE" term="%22Opera%22">Opera</searchLink><br /><searchLink fieldCode="DE" term="%22Music+history%22">Music history</searchLink><br /><searchLink fieldCode="DE" term="%22Interpretation+%28Philosophy%29%22">Interpretation (Philosophy)</searchLink><br /><searchLink fieldCode="DE" term="%22Woodwind+instruments%22">Woodwind instruments</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: The article reviews two books that explore different aspects of music history and theory. The first book, focusing on nineteenth-century Italian opera fantasias for woodwind instruments, argues for the genre's significance and reevaluates its historical value through various theoretical lenses, including genre theory and gender implications. The second book examines the life and impact of George M. Cohan on Broadway, highlighting his role in shaping American musical theater and his embodiment of early 20th-century American ideals. Both works are positioned as valuable resources for musicology and performance studies, suitable for academic libraries and musicians. [Extracted from the article] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=ehh&AN=189119447 |
| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1353/not.2025.a974610 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 4 StartPage: 229 Subjects: – SubjectFull: Gender stereotypes Type: general – SubjectFull: Genre studies Type: general – SubjectFull: Nineteenth century Type: general – SubjectFull: Opera Type: general – SubjectFull: Music history Type: general – SubjectFull: Interpretation (Philosophy) Type: general – SubjectFull: Woodwind instruments Type: general Titles: – TitleFull: Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: MILLER, EDEN IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 12 Text: Dec2025 Type: published Y: 2025 Identifiers: – Type: issn-print Value: 00274380 Numbering: – Type: volume Value: 82 – Type: issue Value: 2 Titles: – TitleFull: Notes Type: main |
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