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Emergency Remote Studio Teaching: Notes from the Field

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Title: Emergency Remote Studio Teaching: Notes from the Field
Language: English
Authors: Winters, Tara
Source: Journal of Teaching and Learning with Technology. Apr 2021 10:117-126.
Availability: Indiana University. 107 South Indiana Avenue, Bryan Hall 203B, Bloomington, IN 47405. Tel: 317-274-5647; Fax: 317-278-2360; e-mail: josotl@iu.edu; Web site: https://scholarworks.iu.edu/journals/index.php/jotlt
Peer Reviewed: Y
Page Count: 10
Publication Date: 2021
Document Type: Journal Articles
Reports - Descriptive
Education Level: Higher Education
Postsecondary Education
Descriptors: Distance Education, Studio Art, College Faculty, COVID-19, Pandemics, Visual Arts, Web Based Instruction, Personal Narratives, Foreign Countries, Teacher Role, Educational Change, Videoconferencing
Geographic Terms: New Zealand
ISSN: 2165-2554
Abstract: The creative arts use primarily visual, kinesthetic, and somatic modes of teaching that depend on face-to-face communication in contrast to many other university subjects that rely more heavily on the written word. The hands-on, practice-based nature of art education makes it perhaps one of the least transferrable subjects to a fully online model. What can be learnt, then, from the forced situation of teaching and supervising studio-based learning in a higher education context under the 2019 coronavirus disease lockdown conditions? This reflective essay draws on the writer's experience as a fine arts lecturer involved in emergency remote teaching of studio-based visual arts courses during the first half of the 2020 academic year. Organized as a series of "fieldnotes," it aims to capture those fleeting, yet significant, thoughts and reflections so easily lost once things quickly reach a level of "new normal." Notes from the field include the effects of the shifted social dynamic of online communications in a teaching and learning context; the challenges of the video call as a dialogic space for the studio critique; the impact of the more structured nature of online systems with regard to documenting and recording creative work in progress; and the affordances of the dynamic, multimodal nature of the digital medium for working with contextual research material for creative practice. Developed as a pedagogical perspective combining reflection in action and reflection on action, this essay offers firsthand observations and discussion, in the context of relevant literature, as a contribution to urgent conversations on the shape of the future learning environment.
Abstractor: As Provided
Entry Date: 2021
Accession Number: EJ1294640
Database: ERIC
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  Data: Indiana University. 107 South Indiana Avenue, Bryan Hall 203B, Bloomington, IN 47405. Tel: 317-274-5647; Fax: 317-278-2360; e-mail: josotl@iu.edu; Web site: https://scholarworks.iu.edu/journals/index.php/jotlt
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  Data: The creative arts use primarily visual, kinesthetic, and somatic modes of teaching that depend on face-to-face communication in contrast to many other university subjects that rely more heavily on the written word. The hands-on, practice-based nature of art education makes it perhaps one of the least transferrable subjects to a fully online model. What can be learnt, then, from the forced situation of teaching and supervising studio-based learning in a higher education context under the 2019 coronavirus disease lockdown conditions? This reflective essay draws on the writer's experience as a fine arts lecturer involved in emergency remote teaching of studio-based visual arts courses during the first half of the 2020 academic year. Organized as a series of "fieldnotes," it aims to capture those fleeting, yet significant, thoughts and reflections so easily lost once things quickly reach a level of "new normal." Notes from the field include the effects of the shifted social dynamic of online communications in a teaching and learning context; the challenges of the video call as a dialogic space for the studio critique; the impact of the more structured nature of online systems with regard to documenting and recording creative work in progress; and the affordances of the dynamic, multimodal nature of the digital medium for working with contextual research material for creative practice. Developed as a pedagogical perspective combining reflection in action and reflection on action, this essay offers firsthand observations and discussion, in the context of relevant literature, as a contribution to urgent conversations on the shape of the future learning environment.
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