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Soundtrapped? Socio-Material Perspectives on Collaborative Teaching within the Music Classroom

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Title: Soundtrapped? Socio-Material Perspectives on Collaborative Teaching within the Music Classroom
Language: English
Authors: Holdhus, Kari (ORCID 0000-0002-6991-5765), Christophersen, Catharina, Partti, Heidi
Source: Research Studies in Music Education. 2023 45(3):539-554.
Availability: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: https://sagepub.com
Peer Reviewed: Y
Page Count: 16
Publication Date: 2023
Document Type: Journal Articles
Reports - Research
Education Level: Secondary Education
Higher Education
Postsecondary Education
Descriptors: Technology Uses in Education, Audio Equipment, Music Education, Team Teaching, Secondary School Teachers, Foreign Countries, Student Teachers, Practicums, Musicians, Partnerships in Education, Curriculum Development, Student Teacher Attitudes
Geographic Terms: Norway
DOI: 10.1177/1321103X221115978
ISSN: 1321-103X
Abstract: This article draws on a classroom project to explore the complexities of collaborative teaching within the music classroom, where a professional team collaborated to facilitate digital music-making at a lower secondary school in Norway during a student teacher practicum placement. The collaborative team, including in-service and pre-service teachers, researchers, and a professional musician, facilitated a composing project by means of the digital audio workstation (DAW) "Soundtrap." The purpose was to shed light on the complexity and emergence of the collaborative music project; how material, structural, and educational conditions impacted the process; and the pre-service music teachers' ways of handling a complex situation. The study was theoretically guided by a socio-material perspective, more specifically by complexity theory, and an abductive analysis was performed. In keeping with the nonlinearity and complex causality of socio-materialism and complexity theory, the researchers created three reflexive viewpoints: emergence, enabling constraints, and entanglements. The results show that technological and technical issues permeated the classroom work, making it difficult to separate social and material aspects of the project. Awareness of the entanglement of social, institutional, historical, and material dimensions of education thus can provide a useful framework for emerging music teachers' professional development. In this way, our findings support the claim that music teacher education should aim at helping pre-service teachers prepare for encounters with complex and versatile educational situations.
Abstractor: As Provided
Entry Date: 2023
Accession Number: EJ1397330
Database: ERIC
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  Data: Soundtrapped? Socio-Material Perspectives on Collaborative Teaching within the Music Classroom
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  Data: <searchLink fieldCode="AR" term="%22Holdhus%2C+Kari%22">Holdhus, Kari</searchLink> (ORCID <externalLink term="https://orcid.org/0000-0002-6991-5765">0000-0002-6991-5765</externalLink>)<br /><searchLink fieldCode="AR" term="%22Christophersen%2C+Catharina%22">Christophersen, Catharina</searchLink><br /><searchLink fieldCode="AR" term="%22Partti%2C+Heidi%22">Partti, Heidi</searchLink>
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  Data: SAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: https://sagepub.com
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  Data: 10.1177/1321103X221115978
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  Data: 1321-103X
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  Data: This article draws on a classroom project to explore the complexities of collaborative teaching within the music classroom, where a professional team collaborated to facilitate digital music-making at a lower secondary school in Norway during a student teacher practicum placement. The collaborative team, including in-service and pre-service teachers, researchers, and a professional musician, facilitated a composing project by means of the digital audio workstation (DAW) "Soundtrap." The purpose was to shed light on the complexity and emergence of the collaborative music project; how material, structural, and educational conditions impacted the process; and the pre-service music teachers' ways of handling a complex situation. The study was theoretically guided by a socio-material perspective, more specifically by complexity theory, and an abductive analysis was performed. In keeping with the nonlinearity and complex causality of socio-materialism and complexity theory, the researchers created three reflexive viewpoints: emergence, enabling constraints, and entanglements. The results show that technological and technical issues permeated the classroom work, making it difficult to separate social and material aspects of the project. Awareness of the entanglement of social, institutional, historical, and material dimensions of education thus can provide a useful framework for emerging music teachers' professional development. In this way, our findings support the claim that music teacher education should aim at helping pre-service teachers prepare for encounters with complex and versatile educational situations.
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        Value: 10.1177/1321103X221115978
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        Type: general
      – SubjectFull: Audio Equipment
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      – SubjectFull: Music Education
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