Picturing the Proletariat : Artists and Labor in Revolutionary Mexico, 1908–1940

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Title: Picturing the Proletariat : Artists and Labor in Revolutionary Mexico, 1908–1940
Description: Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017 Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018 In the wake of Mexico's revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists'collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.” This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.
Authors: John Lear
Resource Type: eBook.
Subjects: Politics in art--History--20th century, Labor movement--Mexico--History--20th century, Working class--Political activity--Mexico--History--20th century, Artists--Political activity--History--20th century, Arts and revolutions--Mexico--History--20th century
Categories: HISTORY / General, ART / Caribbean & Latin American, HISTORY / Latin America / Mexico
Database: eBook Collection (EBSCOhost)
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  Data: Picturing the Proletariat : Artists and Labor in Revolutionary Mexico, 1908–1940
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  Data: Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017 Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018 In the wake of Mexico's revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists'collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.” This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.
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    Classifications:
      – Code: 322.2097209041
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Politics in art--History--20th century
        Type: general
      – SubjectFull: Labor movement--Mexico--History--20th century
        Type: general
      – SubjectFull: Working class--Political activity--Mexico--History--20th century
        Type: general
      – SubjectFull: Artists--Political activity--History--20th century
        Type: general
      – SubjectFull: Arts and revolutions--Mexico--History--20th century
        Type: general
    Titles:
      – TitleFull: Picturing the Proletariat : Artists and Labor in Revolutionary Mexico, 1908–1940
        Type: main
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          Name:
            NameFull: John Lear
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            NameFull: John Lear
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          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2017
            – D: 08
              M: 11
              Type: profile
              Y: 2016
          Identifiers:
            – Type: isbn-print
              Value: 9781477311240
            – Type: isbn-print
              Value: 9781477311509
            – Type: isbn-electronic
              Value: 9781477311257
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              Value: 9781477311264
          Titles:
            – TitleFull: Picturing the Proletariat : Artists and Labor in Revolutionary Mexico, 1908–1940
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