The History of British and American Author-Publishers

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Title: The History of British and American Author-Publishers
Description: The mainstream publishing industry has popularized the stereotype that “self-published” books are inferior to “traditional” ones because the author does not receive an advance and the services provided are less professional. The reality is that the Big Four publishers attained their enormous market share by at least initially relying on author subsidies. This book describes the road some of the world's top authors took to self-publication. Charles Dickens self-published A Tale of Two Cities in his periodical, All the Year Round. Sir Walter Scott published most of his fiction and poetry with Constantine and Ballantyne, publishers in which he was heavily invested. Scott's self-publications included his best-selling Waverley series, which established the historical novel genre with Ballantyne. The Liberal only survived for a few issues, and yet its founders, Lord Byron and Percy Shelley, published outstanding radical works in its pages: “The Vision of Judgment” and “Lines to a Critic.” Virginia and Leonard Woolf's Hogarth Press published nearly all of Virginia's writings; these works are still used by feminists and birthed the stream of consciousness movement (a style that was too unique for “mainstream” publishers). Edgar Allan Poe spent a lifetime working to create his own independent journal, only succeeding in a brief ownership of the Broadway Journal, a power he used to speak out against plagiarism with pieces such as, “Voluminous History of the Little Longfellow War.” Herman Melville paid Harper $29,571 for 350 copies of Clarel. Mark Twain spent $1.3 million (in today's money) to print Old Times on the Mississippi with J. R. Osgood. Henry Luce and Briton Hadden started Time Inc. and Time because they were frustrated reporters seeking more power and independence. Dudley Randall founded the Broadside Press in part to publish his own books like Cities Burning. Alice Walker published an introduction to The Spirit Journey after founding a press with her lover, Wild Trees Press, and might have kept it going longer if major publishers did not start snatching up all of her own innovative full-length works. Without author-publishers: the sun would still revolve around the earth (Galileo) and book printing would lack exquisite artistic details (Rembrandt). And Americans would still be living in the colonies of the United Kingdom (Benjamin Franklin). It is harder to find an innovative scientist, politician or creative writer who did not self-publish than those who did.
Authors: Anna Faktorovich
Resource Type: eBook.
Subjects: Publishers and publishing--Great Britain--History, Authors and publishers--United States--History, Publishers and publishing--United States--History, Authors and publishers--Great Britain--History, Literature publishing--United States--History, Literature publishing--Great Britain--History, Self-publishing--United States--History, Self-publishing--Great Britain--History
Categories: LANGUAGE ARTS & DISCIPLINES / Journalism
Database: eBook Collection (EBSCOhost)
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  – Type: ebook-pdf
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Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 1836735
RelevancyScore: 1077
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 1077.00524902344
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  Data: The History of British and American Author-Publishers
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  Label: Description
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  Data: The mainstream publishing industry has popularized the stereotype that “self-published” books are inferior to “traditional” ones because the author does not receive an advance and the services provided are less professional. The reality is that the Big Four publishers attained their enormous market share by at least initially relying on author subsidies. This book describes the road some of the world's top authors took to self-publication. Charles Dickens self-published A Tale of Two Cities in his periodical, All the Year Round. Sir Walter Scott published most of his fiction and poetry with Constantine and Ballantyne, publishers in which he was heavily invested. Scott's self-publications included his best-selling Waverley series, which established the historical novel genre with Ballantyne. The Liberal only survived for a few issues, and yet its founders, Lord Byron and Percy Shelley, published outstanding radical works in its pages: “The Vision of Judgment” and “Lines to a Critic.” Virginia and Leonard Woolf's Hogarth Press published nearly all of Virginia's writings; these works are still used by feminists and birthed the stream of consciousness movement (a style that was too unique for “mainstream” publishers). Edgar Allan Poe spent a lifetime working to create his own independent journal, only succeeding in a brief ownership of the Broadway Journal, a power he used to speak out against plagiarism with pieces such as, “Voluminous History of the Little Longfellow War.” Herman Melville paid Harper $29,571 for 350 copies of Clarel. Mark Twain spent $1.3 million (in today's money) to print Old Times on the Mississippi with J. R. Osgood. Henry Luce and Briton Hadden started Time Inc. and Time because they were frustrated reporters seeking more power and independence. Dudley Randall founded the Broadside Press in part to publish his own books like Cities Burning. Alice Walker published an introduction to The Spirit Journey after founding a press with her lover, Wild Trees Press, and might have kept it going longer if major publishers did not start snatching up all of her own innovative full-length works. Without author-publishers: the sun would still revolve around the earth (Galileo) and book printing would lack exquisite artistic details (Rembrandt). And Americans would still be living in the colonies of the United Kingdom (Benjamin Franklin). It is harder to find an innovative scientist, politician or creative writer who did not self-publish than those who did.
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RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 070.509
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Publishers and publishing--Great Britain--History
        Type: general
      – SubjectFull: Authors and publishers--United States--History
        Type: general
      – SubjectFull: Publishers and publishing--United States--History
        Type: general
      – SubjectFull: Authors and publishers--Great Britain--History
        Type: general
      – SubjectFull: Literature publishing--United States--History
        Type: general
      – SubjectFull: Literature publishing--Great Britain--History
        Type: general
      – SubjectFull: Self-publishing--United States--History
        Type: general
      – SubjectFull: Self-publishing--Great Britain--History
        Type: general
    Titles:
      – TitleFull: The History of British and American Author-Publishers
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Anna Faktorovich
      – PersonEntity:
          Name:
            NameFull: Anna Faktorovich
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      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 2017
            – D: 27
              M: 06
              Type: profile
              Y: 2018
          Identifiers:
            – Type: isbn-print
              Value: 9781681143736
            – Type: isbn-electronic
              Value: 9781681143750
          Titles:
            – TitleFull: The History of British and American Author-Publishers
              Type: main
ResultId 1