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Art in movement, art as movement: Collective action and collective gathering for intangible cultural heritage sustainability.

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Title: Art in movement, art as movement: Collective action and collective gathering for intangible cultural heritage sustainability.
Authors: Rincón‐Unigarro, Camilo (AUTHOR), Jaramillo, Andrés (AUTHOR), Riascos, Carlos (AUTHOR), Checa, Guisella (AUTHOR), da Costa, Silvia (AUTHOR), López‐López, Wilson (AUTHOR), Páez, Darío (AUTHOR), Díaz‐Fuentes, Laura (AUTHOR), Gómez‐Ortiz, Daniela (AUTHOR), Ordoñez, Camila (AUTHOR), Ortíz, Isabella (AUTHOR), Velásquez, Valeria (AUTHOR), Venegas, Patricia (AUTHOR), Jaramillo, Juan‐Camilo (AUTHOR)
Source: Political Psychology. Dec2025, Vol. 46 Issue 6, p1483-1508. 26p.
Subjects: Collective action, Sustainability, Identity (Psychology), Convention for the Safeguarding of the Intangible Cultural Heritage, Carnival, Social movements, UNESCO
Geographic Terms: Colombia
Abstract: Carnaval de Negros y Blancos is a mixed‐race festive act inscribed on UNESCO's list of intangible cultural heritage (ICH). It hosts collective gatherings that provide opportunities for identity emergence and reaffirmation, where heritage owners lead top‐down and bottom‐up safeguarding efforts. This study aims to document the processes of collective action for sustainability, by analyzing top‐down and bottom‐up initiatives for safeguarding. We conducted a mixed‐methods study in Pasto, Colombia, using data from interviews with ICH stakeholders (n = 59) and from surveys with carnival players (n = 403). Heritage safeguarding, peacebuilding, human expression, transcendent experience, and evolving identities are the main themes within safeguarding movements. Additionally, the quality of participation in the event, either as performer or not performer at Senda del Carnaval, relates to sociocognitive and emotional processes of both social movements and collective gatherings. Findings portray ICH as a context for sustainable cities and communities, as well as increased peace, justice, and responsive institutions. [ABSTRACT FROM AUTHOR]
Copyright of Political Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Database: Psychology and Behavioral Sciences Collection
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  Data: Art in movement, art as movement: Collective action and collective gathering for intangible cultural heritage sustainability.
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  Data: <searchLink fieldCode="DE" term="%22Collective+action%22">Collective action</searchLink><br /><searchLink fieldCode="DE" term="%22Sustainability%22">Sustainability</searchLink><br /><searchLink fieldCode="DE" term="%22Identity+%28Psychology%29%22">Identity (Psychology)</searchLink><br /><searchLink fieldCode="DE" term="%22Convention+for+the+Safeguarding+of+the+Intangible+Cultural+Heritage%22">Convention for the Safeguarding of the Intangible Cultural Heritage</searchLink><br /><searchLink fieldCode="DE" term="%22Carnival%22">Carnival</searchLink><br /><searchLink fieldCode="DE" term="%22Social+movements%22">Social movements</searchLink><br /><searchLink fieldCode="DE" term="%22UNESCO%22">UNESCO</searchLink>
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  Data: Carnaval de Negros y Blancos is a mixed‐race festive act inscribed on UNESCO's list of intangible cultural heritage (ICH). It hosts collective gatherings that provide opportunities for identity emergence and reaffirmation, where heritage owners lead top‐down and bottom‐up safeguarding efforts. This study aims to document the processes of collective action for sustainability, by analyzing top‐down and bottom‐up initiatives for safeguarding. We conducted a mixed‐methods study in Pasto, Colombia, using data from interviews with ICH stakeholders (n = 59) and from surveys with carnival players (n = 403). Heritage safeguarding, peacebuilding, human expression, transcendent experience, and evolving identities are the main themes within safeguarding movements. Additionally, the quality of participation in the event, either as performer or not performer at Senda del Carnaval, relates to sociocognitive and emotional processes of both social movements and collective gatherings. Findings portray ICH as a context for sustainable cities and communities, as well as increased peace, justice, and responsive institutions. [ABSTRACT FROM AUTHOR]
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  Data: <i>Copyright of Political Psychology is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1111/pops.13071
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      – Code: eng
        Text: English
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        PageCount: 26
        StartPage: 1483
    Subjects:
      – SubjectFull: Collective action
        Type: general
      – SubjectFull: Sustainability
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      – SubjectFull: Identity (Psychology)
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      – SubjectFull: Carnival
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      – SubjectFull: Social movements
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      – SubjectFull: UNESCO
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      – SubjectFull: Colombia
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              Text: Dec2025
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