Anton Chekhov and the Catastrophes of Teaching

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Bibliographic Details
Title: Anton Chekhov and the Catastrophes of Teaching
Language: English
Authors: Ross Collin
Source: Educational Theory. 2025 75(3):514-530.
Availability: Wiley. Available from: John Wiley & Sons, Inc. 111 River Street, Hoboken, NJ 07030. Tel: 800-835-6770; e-mail: cs-journals@wiley.com; Web site: https://www.wiley.com/en-us
Peer Reviewed: Y
Page Count: 17
Publication Date: 2025
Document Type: Journal Articles
Reports - Descriptive
Descriptors: Ethics, Educational Practices, Philosophy, Moral Issues, Teaching Methods, Authors, Russian Literature
DOI: 10.1111/edth.70002
ISSN: 0013-2004
1741-5446
Abstract: In this essay, Ross Collin offers ethics-focused readings of Anton Chekhov's popular short stories "The Schoolmistress" and "The Teacher of Literature." Chekhov shows in the two stories how teaching can inhibit teachers' flourishing. That is to say, teaching under bad conditions can draw teachers into moral "catastrophe," to use Cornel West's term for an idea central to Chekhov's work. In "The Schoolmistress" and "The Teacher of Literature," Chekhov compares the catastrophes of teachers' lives to the catastrophes of the lives of nonhuman animals trapped in an eternal present of toil or display. Confined in lives they do not control, the teachers in Chekhov's two stories cannot link their pasts, presents, and futures into narratives they might live out and steer in different directions. Here, Collin shows how works of art can attend to particularities of moral experience, including teachers' moral experience, that are difficult to recognize and address productively using general concepts in philosophy.
Abstractor: As Provided
Entry Date: 2025
Accession Number: EJ1472031
Database: ERIC
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Description
Abstract:In this essay, Ross Collin offers ethics-focused readings of Anton Chekhov's popular short stories "The Schoolmistress" and "The Teacher of Literature." Chekhov shows in the two stories how teaching can inhibit teachers' flourishing. That is to say, teaching under bad conditions can draw teachers into moral "catastrophe," to use Cornel West's term for an idea central to Chekhov's work. In "The Schoolmistress" and "The Teacher of Literature," Chekhov compares the catastrophes of teachers' lives to the catastrophes of the lives of nonhuman animals trapped in an eternal present of toil or display. Confined in lives they do not control, the teachers in Chekhov's two stories cannot link their pasts, presents, and futures into narratives they might live out and steer in different directions. Here, Collin shows how works of art can attend to particularities of moral experience, including teachers' moral experience, that are difficult to recognize and address productively using general concepts in philosophy.
ISSN:0013-2004
1741-5446
DOI:10.1111/edth.70002