The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church

Saved in:
Bibliographic Details
Title: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church
Description: In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the'respectable'Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I.
Authors: Michael W. Harris
Resource Type: eBook.
Subjects: Gospel music--History and criticism
Categories: SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies, MUSIC / Genres & Styles / Blues, MUSIC / Religious / Gospel
Database: eBook Collection (EBSCOhost)
FullText Links:
  – Type: ebook-pdf
  – Type: ebook-epub
Text:
  Availability: 0
Header DbId: nlebk
DbLabel: eBook Collection (EBSCOhost)
An: 169747
RelevancyScore: 959
AccessLevel: 6
PubType: eBook
PubTypeId: ebook
PreciseRelevancyScore: 959.155151367188
IllustrationInfo
ImageInfo – Size: thumb
  Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$169747$PDF&s=r
– Size: medium
  Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$169747$PDF&s=d
Items – Name: Title
  Label: Title
  Group: Ti
  Data: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church
– Name: Abstract
  Label: Description
  Group: Ab
  Data: In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the'respectable'Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I.
– Name: Author
  Label: Authors
  Group: Au
  Data: <searchLink fieldCode="AR" term="%22Michael+W%2E+Harris%22">Michael W. Harris</searchLink>
– Name: TypePub
  Label: Resource Type
  Group: TypPub
  Data: eBook.
– Name: Subject
  Label: Subjects
  Group: Su
  Data: <searchLink fieldCode="DE" term="%22Gospel+music--History+and+criticism%22">Gospel music--History and criticism</searchLink>
– Name: SubjectBISAC
  Label: Categories
  Group: Su
  Data: <searchLink fieldCode="ZK" term="%22SOCIAL+SCIENCE+%2F+Cultural+%26+Ethnic+Studies+%2F+American+%2F+African+American+%26+Black+Studies%22">SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies</searchLink><br /><searchLink fieldCode="ZK" term="%22MUSIC+%2F+Genres+%26+Styles+%2F+Blues%22">MUSIC / Genres & Styles / Blues</searchLink><br /><searchLink fieldCode="ZK" term="%22MUSIC+%2F+Religious+%2F+Gospel%22">MUSIC / Religious / Gospel</searchLink>
PLink https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=169747
RecordInfo BibRecord:
  BibEntity:
    Classifications:
      – Code: 782.25
        Scheme: ddc
        Type: prePub
    Languages:
      – Code: eng
        Text: English
    Subjects:
      – SubjectFull: Gospel music--History and criticism
        Type: general
    Titles:
      – TitleFull: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church
        Type: main
  BibRelationships:
    HasContributorRelationships:
      – PersonEntity:
          Name:
            NameFull: Michael W. Harris
      – PersonEntity:
          Name:
            NameFull: Michael W. Harris
    IsPartOfRelationships:
      – BibEntity:
          Dates:
            – D: 01
              M: 01
              Type: published
              Y: 1994
            – D: 04
              M: 02
              Type: profile
              Y: 2014
          Identifiers:
            – Type: isbn-print
              Value: 9780195063769
            – Type: isbn-electronic
              Value: 9780195358117
            – Type: isbn-electronic
              Value: 9780199879885
          Titles:
            – TitleFull: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church
              Type: main
ResultId 1