The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church
Saved in:
| Title: | The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church |
|---|---|
| Description: | In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the'respectable'Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I. |
| Authors: | Michael W. Harris |
| Resource Type: | eBook. |
| Subjects: | Gospel music--History and criticism |
| Categories: | SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies, MUSIC / Genres & Styles / Blues, MUSIC / Religious / Gospel |
| Database: | eBook Collection (EBSCOhost) |
| FullText | Links: – Type: ebook-pdf – Type: ebook-epub Text: Availability: 0 |
|---|---|
| Header | DbId: nlebk DbLabel: eBook Collection (EBSCOhost) An: 169747 RelevancyScore: 959 AccessLevel: 6 PubType: eBook PubTypeId: ebook PreciseRelevancyScore: 959.155151367188 |
| IllustrationInfo | |
| ImageInfo | – Size: thumb Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$169747$PDF&s=r – Size: medium Target: https://rps2images.ebscohost.com/rpsweb/othumb?id=NL$169747$PDF&s=d |
| Items | – Name: Title Label: Title Group: Ti Data: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church – Name: Abstract Label: Description Group: Ab Data: In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the'respectable'Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Michael+W%2E+Harris%22">Michael W. Harris</searchLink> – Name: TypePub Label: Resource Type Group: TypPub Data: eBook. – Name: Subject Label: Subjects Group: Su Data: <searchLink fieldCode="DE" term="%22Gospel+music--History+and+criticism%22">Gospel music--History and criticism</searchLink> – Name: SubjectBISAC Label: Categories Group: Su Data: <searchLink fieldCode="ZK" term="%22SOCIAL+SCIENCE+%2F+Cultural+%26+Ethnic+Studies+%2F+American+%2F+African+American+%26+Black+Studies%22">SOCIAL SCIENCE / Cultural & Ethnic Studies / American / African American & Black Studies</searchLink><br /><searchLink fieldCode="ZK" term="%22MUSIC+%2F+Genres+%26+Styles+%2F+Blues%22">MUSIC / Genres & Styles / Blues</searchLink><br /><searchLink fieldCode="ZK" term="%22MUSIC+%2F+Religious+%2F+Gospel%22">MUSIC / Religious / Gospel</searchLink> |
| PLink | https://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=nlebk&AN=169747 |
| RecordInfo | BibRecord: BibEntity: Classifications: – Code: 782.25 Scheme: ddc Type: prePub Languages: – Code: eng Text: English Subjects: – SubjectFull: Gospel music--History and criticism Type: general Titles: – TitleFull: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Michael W. Harris – PersonEntity: Name: NameFull: Michael W. Harris IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 01 Type: published Y: 1994 – D: 04 M: 02 Type: profile Y: 2014 Identifiers: – Type: isbn-print Value: 9780195063769 – Type: isbn-electronic Value: 9780195358117 – Type: isbn-electronic Value: 9780199879885 Titles: – TitleFull: The Rise of Gospel Blues : The Music of Thomas Andrew Dorsey in the Urban Church Type: main |
| ResultId | 1 |